Eveline Chan joined the Black Gully Printmakers to develop her art and printmaking practice through a shared community ethos.

Her work applies a range of printmaking techniques and media to explore the interplay of image and word, and the multiple layers of meaning they afford. She enjoys the somewhat unpredictable results of various monotype techniques as well as the more controlled, technical aspects of printmaking, and often combines these in her prints.

Many of her works reference patterns found in natural forms as a response to our increasingly fragile environments, and invite viewers to question the image and the ambiguities represented within.