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In 1980 /81 I trained in fabric design and have printed in some form since then.
Fabric printing was my first love, working on small lengths of fabric ( 2-5 metres), hand scraping colour, screen printing and mono printing. This has extended into printing on paper.
Colour is a number one motivation for any work and layering of colour, pattern and image is how the works are created.
I always plan what I’m going to print but follow the process intuitively, which sometimes means it turns out completely differently, and I love the flexibility of this approach.
I have been with the Black Gully Printmakers since it began in 2017 and love working with a group of people who are passionate about printing.
In 1980 /81 I trained in fabric design and have printed in some form since then.
Fabric printing was my first love, working on small lengths of fabric ( 2-5 metres), hand scraping colour, screen printing and mono printing. This has extended into printing on paper.
Colour is a number one motivation for any work and layering of colour, pattern and image is how the works are created.
I always plan what I’m going to print but follow the process intuitively, which sometimes means it turns out completely differently, and I love the flexibility of this approach.
I have been with the Black Gully Printmakers since it began in 2017 and love working with a group of people who are passionate about printing.
Bendemeer Gum
Drypoint etching with monoprint
Clouds
Monoprint on Cotton Voile